Safety
There
are two kinds of safety in the theatre or theme park: physical
safety and psychological safety. The first ties with safety measures
imposed on the physical structure and manipulation of machinery.
The second, although dependent on the first, ties with a suspension
of a feeling of safety.
Physically,
the audience must, ultimately, feel safe. In the past, physical
safety has centered on safety from fire. The use of candles, oil,
and gas requiring an open flame in the theatre for illumination
destroyed many theatre structures and many lives throughout theatre
history. Today's concerns seem to center on the safety of theatre
personnel, but the safer it is for people working in the theatre,
the safer it is for the audience member. Standards for safety
are now common in the field and are constantly changing according
to the demands and development of technology. Control technology
to address the safety of machinery, guiding technology, the use
of computers and software in safety related systems, safety concerns
with backdrop hoists, scenery hoists, and stage elevators are
just a few aspects of physical safety in the field. Safety in
engineering, mechanical and electrical, is imperative in all aspects
of theatre.
Specific
attention is considered for the audience. When it comes to risk,
the main question to ask is "Does this have the potential
to harm anyone in case of a mishap?" If the answer is "yes,"
then steps need to be taken to reduce the risk or the engineering
product should not be done. Twenty years ago at Michigan Tech,
lighting instruments were hung over the audience seating units.
Around that time, people became more conscious about safety, and
from then on safety cables were attached from the lighting instrument
to the pipe on which it was hung. The day after the safety cables
were attached, a light fell during performance. The safety cable
caught it and nobody was hurt. Timing was perfect!
Psychologically,
the audience must, ultimately, feel safe. The theatre has always
been a place where a person can experience fear safely. When the
audience members feel physically safe, then they can suspend that
feeling in order to temporarily feel insecure or frightened. The
underlying feeling of safety, however, does not diminish. Distance
between the engineering product and the patron, then, would be
a factor. Theme parks and other venues have been meticulous in
employing measures to guarantee safety. When riding "Ellen's
Energy Adventure" at Epcot, the animatronic dinosaurs move
out rather closely to the audience. With the combination of sound,
movement, lighting, air, and water vapor, the experience is frightening
- to all ages of kids. But nothing except water vapor and air
movement gets close enough for the barrier to be broken between
real and imagined danger. In this case, people are not able to
touch the animatronic dinosaur. Psychologically, the patron knows
that the barrier is not broken and can have fun with the experience
of feeling frightened.
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